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Set
Construction
Make-up Wardrobe
Marketing
Backstage |
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Productions : Workshops : Play Readings : Rehearsed Play Readings
: Drama Festival : And much much more.
Peterborough Mask Theatre always
welcomes new members for acting, directing and backstage roles.
No previous experience is necessary and for 2002 we have plenty
going on.
Please click on one of the above
headings for more
information.
An amateur dramatic society is made up of many
different people with a variety of skills and aspirations, people
of all ages and from a variety of
backgrounds.
Above are just some of the skills that go into putting on a piece
of theatre. Please click on one of the above headings to find out
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Acting
How many times in your life have you watched a play, a film or
the television and thought to yourself - I could do that or I'd love to have a go at
that?
Well, what are you waiting for? Come and give it a go. Auditions
are open to all members. If you are good enough and fit the
director's image for the part then it could be you treading those
boards. The Mask Theatre does put on a wide variety of plays so
there is bound to be a part you can get your teeth into. Come on!
Give it a go! |
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Backstage
Backstage on a production can be a very exciting place
to be. Dressed all in black, mingling unobtrusively among the
actors and actresses, silently going about your job with military
precision. You could be moving anything from a small prop to
completely remodelling the stage, sometimes in full view of the
audience and let me just say that in the dark this can be very
difficult. So if you feel this for you come along and have a go.
No experience necessary. |
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Stage Management
One of the most vital members of any
production team is the stage manager. The task starts as soon as
the play has been chosen and the performance dates fixed. The
stage manager starts to gather the backstage team together.
Meetings are fixed to consider the design of the production. The
property team and the wardrobe co-ordinator are all involved at
this early stage. Workshops are organised to construct the set and
properties.
It is only when all this planning is well under way that the
auditions are held, the cast chosen and the rehearsal schedule
agreed.
Read more >>> |
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Prop's
Props are the objects handled by actors or
used in dressing the stage which are carried on set or placed on
the set which aren't costumes or scenery. Props, when used, are an
integral part of any play and maybe some of the audiences don't
always notice the props unless we get it dreadfully wrong and then
everyone notices! The props team work hard, have perpetual
headaches, suffer moderate to severe anxiety and experience
sleepless nights.
The size of the team will vary depending on the amount of props
needed and the complexity of the production. The head of the team
will usually be involved from early on by attending rehearsals and
production/technical meetings. We have to know the basics of the
script and the characte
Read more >>> |
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Wardrobe
One of the big challenges in the theatre today has got
to be the
costume department. Costumes can make or break a production. Some
of the main challenges are getting the right styles of costumes
set in the right period, but most of all, managing all this
at the right cost. Have you got a good eye for design? Can you
sew? Are you good at rummaging around in shops or negotiating a
good price? Come and give it a try. It can be a lot of fun. |
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Makeup
Do you have an interest in stage make-up? Have you
got the time and skill to help our society during
productions? Maybe you could help by running some make-up
workshops during the year. Give us a
call.
We are a friendly bunch. |
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Set Construction
Are you the practical sort, good with
tools and don't mind getting your hands dirty? Why not put it all
to good use? We are always looking for people to help with our set
construction.. A set can be quite a challenge. It has to be sturdy
enough to stand up to the rigours of a week's run but light enough to be
able to be transported to and from the venue and moved
around the stage easily. If you would like to give it a go, give
us a
call. |
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Directing A
director has an uncontrollable urge. Where does the urge come
from? It could be stimulated by a play, which has been read. (Mask
members are always holding play readings - see the diary notes).
The director has a vision of how the words will sound in an
actor's mouth and has ideas about what the audience will see on
the stage. This urge to direct is taken to a meeting of the Mask
Committee. A budget is agreed, audition dates are fixed and a
meeting with the set designer arranged.
Read more >>>
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Set Design
Or the art of satisfying everyone at no expense!
The primary object of set design is to portray the
location where the action of the play is supposed to take place.
Easy, you think, if the action all takes place in one room but
that room must be so contrived that the actors can be seen and for
the most part are speaking in the general direction of the
audience and that any particular business which the author demands
can be seen by the audience.
If there is more than one location how is it to be done? Change
the whole set, or adapt the one that you started out with?
Read more >>> |
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Marketing
- why do you need Marketing?', is something people often ask me.
'You're only an Amateur Society', maybe so, but we are a society
that prides itself on acting professionally and that includes
Marketing.
It's the same for the Mask as any other company, if we don't
promote our work nobody will come to see it, which is not good
considering our production costs can be over £6000 for a single
production. Read
more >>> |
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Writing
If you enjoy writing then amateur dramatics can provide
an outlet for your talent. Although our main productions are by
noted authors there is always an opportunity to write sketches,
poems, stories and dialogue etc. for in-house productions. So
put pen to paper and join us today to see your words come to life. |
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